RAMON ORDONHES ADRIANO RIBEIRO

The goal here is to note the behavior of the Second Untimely Meditation from the irradiation of the author's first texts (phase of the so-called artist metaphysics). Therefore, it requires an access point inside the Second Untimely Meditation, which leads us, finally, to the object of research itself: the unity of style. It seems to be a point of convergence both to the problem of the hyper-valuation of the historical factor (theme of the writing itself) and to the need for an aesthetic renewal for German culture (a task of the time for young Nietzsche). From there, it is expected to interpret the game between the criticism of historical values and the project of the young philologist (tragic-Wagnerian way of being german). With an approach like this, that would put the Second Untimely Meditation into evidence under aspects other than those of the embryonic genealogy (a reading of the Second Untimely Meditation that looks it from the author's late period perspective).